Katteyes

Katteyes began her journey in the digital world in 2017 under the pseudonym Iamferv, posting content on Instagram that quickly went viral among young audiences. In 2018, she released her first single, «Perdemos el control,» gaining the attention of the music industry. A year later, in 2019, she consolidated her artistic presence with «Solo a mí» and made her theater debut with the musical «Primera cita» alongside Martín Rompeltien, demonstrating that her talent extended far beyond social media.

In 2021, she took a key step by launching her own clothing brand, «I’m Not Crazy,» linking fashion and lifestyle with her digital identity. That same year, she received recognition at the MTV Millennial Awards in the Coreo Crack category, validating her strength as a trendsetter. During 2022, she collaborated on projects with Shein and participated in a music video for Pailita, marking her entry into the urban scene and positioning herself as a leader for a generation connected to trap, reggaeton, and Chilean urban music.

The change of artistic identity to Katteyes in 2025 represented a more mature shift in her career, with releases such as «Convéncete Remix» with Princesa Alba and Ingratax, «Ponte lokita» with Kidd Voodoo, and «GR» with La Joaqui. She also worked with Jairo Vela, Gino Mella, KUINA, and Jere Klein, with whom audiences have begun to «ship» her on social media, generating a strong media connection that further boosted her popularity. Her authenticity and versatility have made her an icon of digital culture, combining the best of entertainment, fashion, and music.

By mid-2025, she had over 45 million followers on TikTok, 13 million on Instagram, and more than 1 million on YouTube, figures that consolidated her status as one of Chile’s most influential figures on social media. Officially confirmed for the Lollapalooza Chile 2026 lineup, Katteyes is emerging as one of the most promising artists on the Latin American urban scene, with a unique style that connects with both her digital audience and mass audiences on international stages.